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<channel>
	<title>Brigitte Fässler</title>
	<link>https://brigittefaessler.com</link>
	<description>Brigitte Fässler</description>
	<pubDate>Tue, 18 Aug 2026 08:02:48 +0000</pubDate>
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		<title>ABOUT</title>
				
		<link>https://brigittefaessler.com/ABOUT</link>

		<pubDate>Sun, 03 May 2020 10:30:17 +0000</pubDate>

		<dc:creator>Brigitte Fässler</dc:creator>

		<guid isPermaLink="true">https://brigittefaessler.com/ABOUT</guid>

		<description>













Brigitte Fässler &#124; Media Artist &#38;amp; Director


Brigitte Fässler is an interdisciplinary artist and filmmaker operating at the intersection of digital technology, spatial staging, and performance. Her practice explores the emergence of hybrid identities by blurring the lines between physical presence and virtual expansion. Through her video works and immersive installations, she challenges the viewer's perception of reality.

A recipient of the Basel Media Art Prize and the Basel Film Prize. Her projects have gained international recognition at prestigious venues, including the Aesthetica Short Film Festival (UK), exground filmfest (DE), and the Hong Kong Arthouse Film 
Festival (CHN).




	
	+41 78 881 47 13
HELLO@BRIGITTEFAESSLER.COM

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	Follow me
INSTAGRAM
	









	
	RESIDENCIES / GRANTS (Selection)


Research Residency Academy for Theater and Digitality Dortmund (DE) (2026)


Associated Artist Tanzhaus Basel (2024–2025)Research Residency /&#38;nbsp; Academy for Theater and Digitality Dortmund (DE) (2025)



Research Grant Department of Culture of Canton BS/BL (2021)


Research Grant Cultural Foundation of the Canton of Thurgau (2021)


Research Grant Cultural Foundation of the Canton of Thurgau (2020)











Federal Office of Culture (FOC)


Thurgau Office of Culture


Migros Story Lab


Film and Media Arts Committee BS/BL


Federal Department of Home Affairs (FDHA) (Service for Combating Racism)


Cultural Foundation of the Canton of Thurgau


Christoph Merian Foundation (CMS)


among others





	
	AWARDS and NOMINATIONS&#38;nbsp; (Selection)
MEDIA ART PRICE CANTON BS/BL
Winner /  2018 &#38;nbsp;2021 Winner Best Music Video / Dare to Dance in Public 
Film Festival, USA /&#38;nbsp;ALONE TOGETHER
2014 Winner&#38;nbsp; / Best Clip/Spot Basler Filmpreis ZOOM, CH / INSIDE A CUBE2013 Winner / Best Clip/Spot Basler Filmpreis ZOOM, CH / TIN TIN
2013 Winner&#38;nbsp; / Gässli Filmfestival, CHBest Music Video /&#38;nbsp;TIN TIN2012 Winner&#38;nbsp; / Best Clip/SpotBasler Filmpreis ZOOM CH / ILS SONT FOUS










2021 Official Selection 
Aesthetica Short Film Festival, UK 
ALONE TOGETHER


2019 Official Selection 
Aarethaler Kurzfilmfestival, CH 
NE ME QUITTE PAS


2019 Official Selection&#38;nbsp; 
JAYU's Human Rights Film Festival, CAN 
NE ME QUITTE PAS


2019 Official Selection 
Beirut International Women Film Festival, LBN 
NE ME QUITTE PAS


2019 Official Selection 
Aesthetica Film Festival  
NE ME QUITTE PAS / GBR


2016 Official Selection 
Hong Kong Arthouse Filmfestival, CHN 
THESE WORDS


2016 Official Selection&#38;nbsp; 
Exground Filmfestival, DE 
INSIDE A CUBE


2016 Official Selection 
Aesthetica Short Film Festival, UK 
THESE WORDS






	EXHIBITIONS &#38;amp; PERFORMANCES (Selection)ART WEEK TANZHAUS BASEL Redefining Reality / 2025BILDRAUSCH FILMFEST BASEL / STADTKINO BASEL / “ Digital Extensions, Me &#38;amp; Myself 2024 / 2025



onCHained: Swiss NFT ShowUNPAIRED GALLERY, CH“twistedsister.io” / 2023
CADAF ONLINE, PARIS“Distorted Perception” / 2021
VIDEO WINDOWKUNSTRAUM WALCHETURM“Ne me quitte pas” / 2021 MODCAMUSEUM OF CONTEMPORARY DIGITAL ART / twistedsister.io / 2020
CADAF ONLINE, USAtwistedsister.io / 2020SALON MONDIAL, CHtwistedsister.io / 2020PARZELLE403, CHtwistedsister.io / 2019OSLONIGHT, CHtwistedsister.io / 2019










KUNST IM ROHBAU
 „Naught“ /&#38;nbsp;2019 


 ZEUGHAUS, Brig
 “Ne me quitte pas” / 2018






&#38;nbsp;AUSSTELLUNGSRAUM KLINGENTAL, Basel&#38;nbsp; „These words“ / 2017


VIDEOFÖRMIG, Villa Renata, Basel&#38;nbsp;
 „ Ils sont fous“ / 2015









	






	
	PRESS20NERO (IT)THE SKIN KEEPS THE SCOREA conversation with Noémi Büchi and Brigitte Fässler on Exuvie / by Mila Azimonti, 2026


Filmexplorer (CH)Brigitte Fässler im Tanzhaus Basel Podcast, moderiert von Ruth Baettig, 20242024 RadioX Interview (CH)Softopening Tanzhaus BaselPodcast moderiert von Danielle Bürgin, 2024

AKUT MAG (CH)Haarpracht als Politikum: «My Hair, My Crown» – Regisseurin Brigitte Fässler im Interview, 



 &#38;nbsp;von JOSHUA AMISSAH 2023

BLACK SQUARE (FR)










Suisse – Quand la justice sociale entre dans la danse























Le Nouvelliste (CH)Culture: l'art est-il par essence engagé? 2020






ANABELLE (CH)“Tanz gegen Rassismus”, 2020










BLACK SQUARE (FR)SUISSE – ALONE TOGETHER BY CUBIQUE

TAGESWOCHE, BASEL&#38;nbsp; (CH)“Brutal und nackt.” 2018


	COLLABORATIONS&#38;nbsp; (Selection)
Noémi Büchi [CH]
Feldermelder [CH]Germain Zambi [FR]

Onur [CH]
Wes 21 [CH]
Dakota &#38;amp; Nadia[CH]
Vincent Abadie Hafez Aka Zepha [FR]
Sebastian Zuber [CH]
Vincent Abadie Hafez [FR]
Legion Seven [CH]
Niculin Barandun [CH]
Kathrin Grossenbacher [CH]
Fudd [USA]
Jimi Jules [CH]
Männerstimmen Basel [CH]

	
	


	
	

	
		
		
	
	
		
			
				
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		<title>Digital Extensions</title>
				
		<link>https://brigittefaessler.com/Digital-Extensions</link>

		<pubDate>Wed, 22 May 2024 07:29:04 +0000</pubDate>

		<dc:creator>Brigitte Fässler</dc:creator>

		<guid isPermaLink="true">https://brigittefaessler.com/Digital-Extensions</guid>

		<description>Digital Extensions, Me &#38;amp; Myself Ceiling Video Installation &#124; Brigitte Fässler x Germain Zambi
at Bildrausch Film Fest, Basel
30.06.24 - 30.06.25

An immersive ceiling installation that explores the search for a hybrid identity in a world saturated by technology. At its core is the inner conflict of the individual, oscillating between euphoria and deep emotional discord. Through the visceral movement of French Krump dancer Germain Zambi, the installation deconstructs human emotion into a digital-physical metamorphosis. By projecting onto the ceiling, Brigitte Fässler creates a "walkable state" that forces a shift in perspective, merging the viewer's space with the digital extension of the self. 





	
	&#38;nbsp;
    

    

	


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WITHGermain Zambi

TEAMLight Designer: Mathias StichBodypainting: Adelina Arendarska3D Artist &#38;amp; Assistant: Jace KunfermannTime Manager &#38;amp; Light Assistant: Xenia UnsheldBehind the Scenes: Rubén Darío Bañol Herrera

SUPPORTED BY
Bildrausch FilmfestivalKulturstiftung des Kantons Thurgau
Verein Tanzhaus Basel

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	<item>
		<title>Redefining Reality</title>
				
		<link>https://brigittefaessler.com/Redefining-Reality-2</link>

		<pubDate>Thu, 11 Dec 2025 14:57:26 +0000</pubDate>

		<dc:creator>Brigitte Fässler</dc:creator>

		<guid isPermaLink="true">https://brigittefaessler.com/Redefining-Reality-2</guid>

		<description> 
REDEFINING REALITYWORK IN PROGRESS
TRANSMEDIA PROJECT&#38;nbsp;
at the intersection of dance, music and film.(Work in progress)




	
	




	


	
	



	
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ABOUT 
At its core lies the fragile and complex romantic relationship
between a human and a digital entity - a
metaphor for the ultimate Other: a system that
perfectly mirrors human behavior yet remains
incapable of genuine emotion.Against this backdrop, the play addresses the profound 
challenges of communication
 and emotional connection. 
It captures fleeting moments of closeness, 
only to inevitably fail at the boundaries 
of their different realities. 




BRIGITTE FÄSSLER
Concept / Art Direction / Visuals

NOÉMI BÜCHI
Music / Composition

LADINA WHITEHEAD &#38;amp; 
GERMAIN ZAMBI
Choreography / Dance

ANASTASIA BULL
Costumes

Filmed with Sony FX6</description>
		
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		<title>Swiss Creator's Lab</title>
				
		<link>https://brigittefaessler.com/Swiss-Creator-s-Lab</link>

		<pubDate>Tue, 18 Aug 2026 08:02:48 +0000</pubDate>

		<dc:creator>Brigitte Fässler</dc:creator>

		<guid isPermaLink="true">https://brigittefaessler.com/Swiss-Creator-s-Lab</guid>

		<description> 
SWISS CREATOR’S LABSET HOST,&#38;nbsp;SETDESIGN / ART DIRECTION
LIVE-SHOOTING, WORKSHOP
Collaboration with SONY Switzerland, Dedodec, Swiss Creator’s Lab



	
	



	
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		<title>Exuvie</title>
				
		<link>https://brigittefaessler.com/Exuvie</link>

		<pubDate>Sun, 02 Feb 2025 19:37:33 +0000</pubDate>

		<dc:creator>Brigitte Fässler</dc:creator>

		<guid isPermaLink="true">https://brigittefaessler.com/Exuvie</guid>

		<description> 
EXUVIE



	
	








	


	

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EXUVIE — AV SHOW&#38;nbsp;
Exuvie is an audiovisual live performance by Noémi Büchi. 
The work unfolds as a meditation on transformation, memory, and the fragile boundary between what has been lived and what continues to resonate. 
Derived from the Latin exuviae—what has been shed—Exuvie explores the tension between matter and memory: 
the traces that remain after change, and the slow, embodied processes through which the body absorbs, remembers, and transforms. 
Past and present coexist within the mind, their layers constantly blurring.
At the center of the visual narrative is dancer Rebeka Mondovics, 
whose choreography treats the body as a living archive, an ever-shifting vessel in which memory, 
perception, and space continuously merge. 
Exuvie is an immersive experience where sound, movement, and image converge to reflect on impermanence, 
bodily memory, and the quiet resonance of what is no longer, yet still vibrates.
MUSIC: Noémi Büchi
VIDEO CONCEPT AND REALISATION: Brigitte Fässler
DANCER:&#38;nbsp; Rebeka Mondovics
LIGHT: Andrea Mossa

	



	</description>
		
	</item>
		
		
	<item>
		<title>Porcelaine</title>
				
		<link>https://brigittefaessler.com/Porcelaine-1</link>

		<pubDate>Thu, 18 Mar 2021 09:06:30 +0000</pubDate>

		<dc:creator>Brigitte Fässler</dc:creator>

		<guid isPermaLink="true">https://brigittefaessler.com/Porcelaine-1</guid>

		<description>
Porcelaine
DIGITAL ART / VIDEO / AN AUDIOVISUAL INVESTIGATION INTO FRAGILE INDENTITY
(2018)
"Porcelaine" is a project at the intersection of photography and video art. It explores the aesthetics of fragility and the deliberate highlighting of imperfections. The work combines physical presence with the symbolism of Japanese craftsmanship to create a poetic visual language.

The focus is on the dancer Noriko Nishidate. In an analog process, her body was painted with delicate patterns reminiscent of classic Japanese porcelain. Brigitte Fässler uses this painting as the basis for a targeted digital transformation: in post-production, the color of the paint was extracted and replaced with gold.
+2


This intervention is a media-art reference to the tradition of Kintsugi, where broken ceramics are mended with gold. Rather than concealing the fractures, they are refined and celebrated as an essential part of the object's history.

In "Porcelaine," this concept is transferred to the human body. The work shows a hybrid existence in which technological processing becomes a symbol of resilience: alleged cracks are not viewed as a deficit but are made visible as a source of a new, transformed beauty. The piece thus questions our perception of perfection and identity in a digitally influenced world.
Creating space to recognize the fragility and vulnerable beauty of the ephemeral. This experimental image and video series was created in collaboration with the Japanese dancer Noriko Nishidate and the body painting artist Bouche Rouge.
 




	
	
	

	
	




	
	





	


	
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</description>
		
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	<item>
		<title>twistedsister.io</title>
				
		<link>https://brigittefaessler.com/twistedsister-io</link>

		<pubDate>Fri, 01 May 2020 18:00:07 +0000</pubDate>

		<dc:creator>Brigitte Fässler</dc:creator>

		<guid isPermaLink="true">https://brigittefaessler.com/twistedsister-io</guid>

		<description>
twistedsister.io&#38;nbsp; (2019) 
A collective 3d-sculpting experiment 
at the junction of art, technology and economics.
Merging visual thinking, game theory and value systems as elements of social interaction and collaborative creation practices, twistedsister.io explores the forces behind the phenomena of self-portrayal in social media relationships. Digital 3D technologies, visual media, blockchain and performance conflate into an artistic work which gravitates around the human body as a malleable avatar.




	
	
VIDEO DOCUMENTATION



	

	

&#60;img width="270" height="400" width_o="270" height_o="400" data-src="https://freight.cargo.site/t/original/i/51f36ea23afc136f7c0b61813b6006bfe600741d064061e5e0888c16849d6d32/twistedsister-website_4.gif" data-mid="85238790" border="0"  src="https://freight.cargo.site/w/270/i/51f36ea23afc136f7c0b61813b6006bfe600741d064061e5e0888c16849d6d32/twistedsister-website_4.gif" /&#62;
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&#60;img width="2362" height="2362" width_o="2362" height_o="2362" data-src="https://freight.cargo.site/t/original/i/79c7aeba52b9aefdc23ad41eebbd274b5f050df0dc1b56537340e21c332a87c8/TWIST_Token_02.jpeg" data-mid="74619278" border="0"  src="https://freight.cargo.site/w/1000/i/79c7aeba52b9aefdc23ad41eebbd274b5f050df0dc1b56537340e21c332a87c8/TWIST_Token_02.jpeg" /&#62;
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&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8d3e813c0543e10ca1db318857f67ecbe3b63329fac5af08cdd94729bad86572/malleable_2000.jpg" data-mid="85238007" border="0"  src="https://freight.cargo.site/w/1000/i/8d3e813c0543e10ca1db318857f67ecbe3b63329fac5af08cdd94729bad86572/malleable_2000.jpg" /&#62;





Mirroring ourselves in the digital space has opened up a vast array 
of forms of representation characterised by the inherent incentive mechanisms of social networks we want to be part of. In an act of self-commodification, the continuous optimisation of our virtual self is not self-directed, instead we allow mostly anonymous peers, whether they are humans, bots or corporate algorithms to cast their expectations on us, eventually to decide who we ought to be.

PROJECT WEBSITEwww.twistedsister.io

REPRESENTATION ON KNOWORIGINhttps://knownorigin.io/twistedsisterio
EXIBITHION onCHainedonCHained: Swiss NFT Show, 2024

EXIBITHION ON CADAF
https://cadaf.art/galleries/twistedsister
TWISTEDSISTER IS
Armin Blasbichler, Brigitte Fässler, 
Martina Graf, Julian Humm and Matthias Pfäffli.

</description>
		
	</item>
		
		
	<item>
		<title>ROSE</title>
				
		<link>https://brigittefaessler.com/ROSE</link>

		<pubDate>Tue, 21 Jan 2025 14:38:23 +0000</pubDate>

		<dc:creator>Brigitte Fässler</dc:creator>

		<guid isPermaLink="true">https://brigittefaessler.com/ROSE</guid>

		<description> 
ROSEAn Interdisciplinary Audiovisual Study
Brigitte Fässler x Noriko Nishidate x Feldermelder x Yohanes Yohanes











"ROSE is an audiovisual investigation into hybrid identity, situated at the intersection of contemporary dance, progressive textile research, and digital sound architecture. The work is the result of a synergistic collaboration where the physical presence of dancer Noriko Nishidate encounters the sculptural designs of Yohanes Yohanes.


Yohanes’ focus on organic textures and sustainable materiality serves as a tactile bridge between the human body and the synthetic aesthetics of the visual space. In conjunction with the sonic deconstruction by Manuel Oberholzer (Feldermelder), an autonomous study emerges on the medial transformation of physicality.





	
	



&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/e42f4bbbfc88176f8da531e16552702aac8742b0cade1677e3edf2892b332b94/Rose_06_00087612.jpg" data-mid="225223332" border="0"  src="https://freight.cargo.site/w/1000/i/e42f4bbbfc88176f8da531e16552702aac8742b0cade1677e3edf2892b332b94/Rose_06_00087612.jpg" /&#62;
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&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/f5b53e23cde2543e2eb0b15f47785f635bb293424d3025be4fa489380b37d477/Rose_03_00087000.jpg" data-mid="225223328" border="0"  src="https://freight.cargo.site/w/1000/i/f5b53e23cde2543e2eb0b15f47785f635bb293424d3025be4fa489380b37d477/Rose_03_00087000.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/846cd8365ff4c37fcb32d63559fdd37cd7f426a331338e8bf3f49dbdc35b6f2d/Rose_07_00087936.jpg" data-mid="225223333" border="0"  src="https://freight.cargo.site/w/1000/i/846cd8365ff4c37fcb32d63559fdd37cd7f426a331338e8bf3f49dbdc35b6f2d/Rose_07_00087936.jpg" /&#62;



	


	DANCER: Noriko Nishidate &#38;amp; Germain Zambi




CLOTHES: Yohanes Yohanes
MUSIC: FeldermelderSTYLING: Meru &#38;amp; Yohanes Yohanes

MAKE UP: Manuela Forster
	



	</description>
		
	</item>
		
		
	<item>
		<title>Distorted Perception</title>
				
		<link>https://brigittefaessler.com/Distorted-Perception</link>

		<pubDate>Tue, 16 Jun 2020 11:07:10 +0000</pubDate>

		<dc:creator>Brigitte Fässler</dc:creator>

		<guid isPermaLink="true">https://brigittefaessler.com/Distorted-Perception</guid>

		<description>
DISTORTED PERCEPTIONDigital Art &#38;amp; Video InstallationWith 
Gotaute Kalmatavičituè
Distorted Perception is a visual inquiry into the construction of reality and the impossibility of neutral, objective self-observation. Grounded in the neuroscientific thesis that our brain actively constructs our surroundings, the work questions whether an undistorted perception of the self can truly exist. In a world of digital reflections, the body becomes a site of technological deconstruction.In the performance by Gotautė Kalmatavičiūtė, movement manifests as a fragmented process of becoming. Brigitte Fässler’s visual language utilizes high-resolution 8K digital capture as raw material to blur the line between physical presence and digital abstraction.
Through a meticulous process of frame-by-frame manipulation, the footage was deconstructed and re-synthesized using a custom-engineered algorithm. This code simulates and manipulates a rolling shutter effect to break the temporal logic of motion, placing the dancer in a state of permanent metamorphosis. The result is a sensory poetry that oscillates between objective documentation and subjective distortion—a silent resonance on the fragility of our perception.
"Distorted perception" was part of the contemporary &#38;amp; Digital Art Fair CADAF Paris, 2021

	
    
	




 &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#38;nbsp;
&#38;nbsp;


&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/571e846b4963cc6880b2034e9a68ea699a8161915c0b48fc740d000cff3b4168/DigitalSelf_011_Klein.png" data-mid="108306127" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/571e846b4963cc6880b2034e9a68ea699a8161915c0b48fc740d000cff3b4168/DigitalSelf_011_Klein.png" /&#62;


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/91305acb68ac756e99b5f8a9f7b482c6c9f750c2404f9aba02da14126096704a/NeuWEB.png" data-mid="108342530" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/91305acb68ac756e99b5f8a9f7b482c6c9f750c2404f9aba02da14126096704a/NeuWEB.png" /&#62;












	
</description>
		
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	<item>
		<title>First forgetting</title>
				
		<link>https://brigittefaessler.com/First-forgetting</link>

		<pubDate>Mon, 15 Jun 2020 21:26:45 +0000</pubDate>

		<dc:creator>Brigitte Fässler</dc:creator>

		<guid isPermaLink="true">https://brigittefaessler.com/First-forgetting</guid>

		<description>&#38;nbsp;
The Several WaysTEASER &#124; TRANSMEDIA PROJECT 



“There are ways to die that are worse than. 
The worst ways are the kindsthat kill you, and leave you to liveTo die in your imagination, is to die in ways your body will never know.If you die in your imagination, you die everywhere-but here.”&#38;nbsp; (Legion Seven)




	
	


	
TEXT / VOCAL: Legion sevenMUSIC: Tomek KolczynskiVIDEO / PHOTO: Brigitte FässlerANIMATION: Niculin BarandunCAMERA OPERATOR: Mannik KengONLINE COORDINATION: William BejediDESIGN / WEBSITE: Julian HummPRODUCTION: Christoph Schön&#38;amp;Daniel WernliBODYPAINTING Bouche Rouge alias AdelinaWEBSITE/CI: Julian Humm




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